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1 side-track attention
Общая лексика: отвлекать внимание, отвлечь внимание -
2 side-track
1. n1) зал. запасна колія2) перен. другорядна роль; невигідне становище2. v1) зал. переводити (ставити) на запасну колію2) зал. переходити на запасну колію3) перен. переводити на інші рейки4) перен. відводити вбік; відволікати від мети (когось)5) авт. з'їхати з дороги на узбіччя6) спрямовувати розмову в інший бік -
3 side-track
side-track 1. noun запасный путь; разъезд; обходный путь 2. v. 1) перево-дить на запасный путь 2) уводить в сторону; отвлекать (кого-л.) от цели; toside-track attention - отвлечь внимание 3) откладывать рассмотрение (предложе-ния) -
4 side-strack
/'saidtræk/ * danh từ - đường tàu tránh !to get on to a side-track - ra ngoài đề, lạc đề * ngoại động từ - cho (xe lửa) vào đường tránh; tránh - làm sai đi, làm lạc đi, làm trệch đi, đi trệch =to side-strack attention+ đánh lại sự chú ý; làm lãng trí - hoãn lại không xét, hoãn lại không giải quyết -
5 track
track [træk]1 noun∎ a mountain track un sentier de montagne;∎ a farm track un chemin de campagne;∎ figurative to be on the right track être sur la bonne voie;∎ figurative he's on the wrong track il fait fausse route;∎ familiar you're way off track! tu es complètement à côté de la plaque!∎ British motor-racing track autodrome m;∎ track and field athlétisme m;∎ track and field events épreuves fpl d'athlétisme;∎ Cycling to do a track stand faire du surplace∎ the train jumped the tracks le train a déraillé ou a quitté les rails;∎ esp American to live on the right/wrong side of the tracks habiter un bon/mauvais quartier;∎ esp American to come from the wrong side of the tracks être issu d'un milieu défavorisé∎ to be on sb's track or tracks être sur la piste de qn;∎ the terrorists had covered their tracks well les terroristes n'avaient pas laissé de traces;∎ to throw sb off the track dépister qn;∎ that should throw them off my track avec ça, je devrais arriver à les semer;∎ to keep track of suivre;∎ it's hard to keep track of her, she moves around so much il est difficile de rester en contact avec elle, elle bouge tout le temps;∎ we like to keep track of current events nous aimons nous tenir au courant de l'actualité;∎ why can't you keep track of your things? tu ne peux pas faire attention où tu mets tes affaires?;∎ we'll have to keep track of the time! il ne faudra pas oublier l'heure!;∎ don't lose track of those files n'égarez pas ces dossiers;∎ they've lost track of the situation ils ne suivent plus ou ne sont plus au courant de ce qui se passe;∎ I lost track of them years ago j'ai perdu le contact avec eux ou je les ai perdus de vue il y a des années;∎ she lost all track of time elle a perdu toute notion du temps;∎ he lost track of what he was saying il a perdu le fil de ce qu'il disait;∎ familiar to make tracks mettre les voiles;∎ she made tracks for home elle a filé chez elle∎ Computing tracks per inch pistes fpl par pouce(a) (follow → animal) suivre à la trace, filer; (→ rocket) suivre la trajectoire de; (→ criminal) traquer∎ don't track mud into the house! ne traîne pas de boue dans la maison!(b) (with camera) faire un traveling ou travelling►► Cars track arm bras m de direction;Railways track bed plate-forme f;Sport track event épreuve f sur piste;Sport track racing (UNCOUNT) courses fpl sur piste;Sport & figurative track record (past record, career to date) antécédents mpl; (list of achievements) palmarès m;∎ she has a good track record elle a fait ses preuves;∎ he doesn't have a very good track record for punctuality il n'est pas réputé pour sa ponctualité;∎ in view of his track record of getting home late every Friday night… vu l'habitude qu'il a de rentrer tard tous les vendredis soirs…;∎ a company with a good/poor track record in winning export orders une entreprise avec un bon/mauvais palmarès sur le plan des commandes à l'exportation;∎ no wonder the insurance is high with your track record! pas étonnant que l'assurance soit chère avec ton palmarès!;∎ given the government's track record in the field of cutting benefits vu les antécédents du gouvernement en matière de réduction des prestations sociales;Sport track shoe chaussure f d'athlétisme;Sport track star star f de l'athlétisme;track vehicle véhicule m chenilléretrouver, localiser; (animal, criminal) traquer et capturer -
6 Muybridge, Eadweard
SUBJECT AREA: Photography, film and optics[br]b. 9 April 1830 Kingston upon Thames, Englandd. 8 May 1904 Kingston upon Thames, England[br]English photographer and pioneer of sequence photography of movement.[br]He was born Edward Muggeridge, but later changed his name, taking the Saxon spelling of his first name and altering his surname, first to Muygridge and then to Muybridge. He emigrated to America in 1851, working in New York in bookbinding and selling as a commission agent for the London Printing and Publishing Company. Through contact with a New York daguerreotypist, Silas T.Selleck, he acquired an interest in photography that developed after his move to California in 1855. On a visit to England in 1860 he learned the wet-collodion process from a friend, Arthur Brown, and acquired the best photographic equipment available in London before returning to America. In 1867, under his trade pseudonym "Helios", he set out to record the scenery of the Far West with his mobile dark-room, christened "The Flying Studio".His reputation as a photographer of the first rank spread, and he was commissioned to record the survey visit of Major-General Henry W.Halleck to Alaska and also to record the territory through which the Central Pacific Railroad was being constructed. Perhaps because of this latter project, he was approached by the President of the Central Pacific, Leland Stanford, to attempt to photograph a horse trotting at speed. There was a long-standing controversy among racing men as to whether a trotting horse had all four hooves off the ground at any point; Stanford felt that it did, and hoped than an "instantaneous" photograph would settle the matter once and for all. In May 1872 Muybridge photographed the horse "Occident", but without any great success because the current wet-collodion process normally required many seconds, even in a good light, for a good result. In April 1873 he managed to produce some better negatives, in which a recognizable silhouette of the horse showed all four feet above the ground at the same time.Soon after, Muybridge left his young wife, Flora, in San Francisco to go with the army sent to put down the revolt of the Modoc Indians. While he was busy photographing the scenery and the combatants, his wife had an affair with a Major Harry Larkyns. On his return, finding his wife pregnant, he had several confrontations with Larkyns, which culminated in his shooting him dead. At his trial for murder, in February 1875, Muybridge was acquitted by the jury on the grounds of justifiable homicide; he left soon after on a long trip to South America.He again took up his photographic work when he returned to North America and Stanford asked him to take up the action-photography project once more. Using a new shutter design he had developed while on his trip south, and which would operate in as little as 1/1,000 of a second, he obtained more detailed pictures of "Occident" in July 1877. He then devised a new scheme, which Stanford sponsored at his farm at Palo Alto. A 50 ft (15 m) long shed was constructed, containing twelve cameras side by side, and a white background marked off with vertical, numbered lines was set up. Each camera was fitted with Muybridge's highspeed shutter, which was released by an electromagnetic catch. Thin threads stretched across the track were broken by the horse as it moved along, closing spring electrical contacts which released each shutter in turn. Thus, in about half a second, twelve photographs were obtained that showed all the phases of the movement.Although the pictures were still little more than silhouettes, they were very sharp, and sequences published in scientific and photographic journals throughout the world excited considerable attention. By replacing the threads with an electrical commutator device, which allowed the release of the shutters at precise intervals, Muybridge was able to take series of actions by other animals and humans. From 1880 he lectured in America and Europe, projecting his results in motion on the screen with his Zoopraxiscope projector. In August 1883 he received a grant of $40,000 from the University of Pennsylvania to carry on his work there. Using the vastly improved gelatine dry-plate process and new, improved multiple-camera apparatus, during 1884 and 1885 he produced over 100,000 photographs, of which 20,000 were reproduced in Animal Locomotion in 1887. The subjects were animals of all kinds, and human figures, mostly nude, in a wide range of activities. The quality of the photographs was extremely good, and the publication attracted considerable attention and praise.Muybridge returned to England in 1894; his last publications were Animals in Motion (1899) and The Human Figure in Motion (1901). His influence on the world of art was enormous, over-turning the conventional representations of action hitherto used by artists. His work in pioneering the use of sequence photography led to the science of chronophotography developed by Marey and others, and stimulated many inventors, notably Thomas Edison to work which led to the introduction of cinematography in the 1890s.[br]Bibliography1887, Animal Locomotion, Philadelphia.1893, Descriptive Zoopraxography, Pennsylvania. 1899, Animals in Motion, London.1901, The Human Figure in Motion, London.Further Reading1973, Eadweard Muybridge: The Stanford Years, Stanford.G.Hendricks, 1975, Muybridge: The Father of the Motion Picture, New York. R.Haas, 1976, Muybridge: Man in Motion, California.B.Coe, 1992, Muybridge and the Chromophoto-graphers, London.BC
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